We all know that crime doesn’t pay, but that doesn’t stop the world’s fascination with it. What is it about the seedy underbelly of our social structures that makes it such an intriguing topic? And there are no shortage of types of criminal activities to explore: white-collar crime, violent crimes, crimes of passion,cyber crime, and even crimes of the heart. How can we think about these things without glorifying them? It’s also a study of our individual morals: what you think is a crime, might be fine with me.
Harper Simon has chosen to explore these topics in a brand-new, wide-ranging, multimedia project titled, Meditations on Crime. What began as a music project eventually morphed into a book containing essays, artwork, a short film, and an album. It’s a thought provoking thesis that examines the unfortunately, ever-present entity of crime in our lives.
While we’ve all had criminal activities touch us in different ways, it’s those uncomfortable experiences that might bring us together in an exploration of crime - and in a more complicated way - it invites us to ask the question of what do we do about it?
We all know that crime doesn’t pay, but that doesn’t stop the world’s fascination with it. What is it about the seedy underbelly of our social structures that makes it such an intriguing topic? And there are no shortage of types of criminal activities to explore: white-collar crime, violent crimes, crimes of passion,cyber crime, and even crimes of the heart. How can we think about these things without glorifying them? It’s also a study of our individual morals: what you think is a crime, might be fine with me.
Harper Simon has chosen to explore these topics in a brand-new, wide-ranging, multimedia project titled, Meditations on Crime. What began as a music project eventually morphed into a book containing essays, artwork, a short film, and an album. It’s a thought provoking thesis that examines the unfortunately, ever-present entity of crime in our lives.
While we’ve all had criminal activities touch us in different ways, it’s those uncomfortable experiences that might bring us together in an exploration of crime - and in a more complicated way - it invites us to ask the question of what do we do about it?